“Yes, but didn’t they all feel it,” Madge suggested. She still seemed to be arguing with herself rather than with Joan. “Nietzsche. I have been reading him. They are forming a Nietzsche Society to give lectures about him—propagate him over here. Eleanor’s in it up to the neck. It seems to me awful. Every fibre in my being revolts against him. Yet they’re all cocksure that he is the coming prophet. He must have convinced himself that he is serving God. If I were a fighter I should feel I was serving God trying to down Him. How do I know which of us is right? Torquemada—Calvin,” she went on, without giving Joan the chance of a reply. “It’s easy enough to see they were wrong now. But at the time millions of people believed in them—felt it was God’s voice speaking through them. Joan of Arc! Fancy dying to put a thing like that upon a throne. It would be funny if it wasn’t so tragic. You can say she drove out the English—saved France. But for what? The Bartholomew massacres. The ruin of the Palatinate by Louis XIV. The horrors of the French Revolution, ending with Napoleon and all the misery and degeneracy that he bequeathed to Europe. History might have worked itself out so much better if the poor child had left it alone and minded her sheep.” Joan’s eyes followed. It was certainly an odd collection. Flossie, in her hunt for brains, had issued her invitations broadcast; and her fate had been that of the Charity concert. Not all the stars upon whom she had most depended had turned up. On the other hand not a single freak had failed her. At the moment, the centre of the room was occupied by a gentleman and two ladies in classical drapery. They were holding hands in an attitude suggestive of a bas-relief. Joan remembered them, having seen them on one or two occasions wandering in the King’s Road, Chelsea; still maintaining, as far as the traffic would allow, the bas-relief suggestion; and generally surrounded by a crowd of children, ever hopeful that at the next corner they would stop and do something really interesting. They belonged to a society whose object was to lure the London public by the force of example towards the adoption of the early Greek fashions and the simpler Greek attitudes. A friend of Flossie’s had thrown in her lot with them, but could never be induced to abandon her umbrella. They also, as Joan told herself, were reformers. Near to them was a picturesque gentleman with a beard down to his waist whose “stunt”—as Flossie would have termed it—was hygienic clothing; it seemed to contain an undue proportion of fresh air. There were ladies in coats and stand-up collars, and gentlemen with ringlets. More than one of the guests would have been better, though perhaps not happier, for a bath.!

Could we ever hope to eradicate it? Was not the survival of this fighting instinct proof that war was still needful to us? In the sculpture-room of an exhibition she came upon a painted statue of Bellona. Its grotesqueness shocked her at first sight, the red streaming hair, the wild eyes filled with fury, the wide open mouth—one could almost hear it screaming—the white uplifted arms with outstretched hands! Appalling! Terrible! And yet, as she gazed at it, gradually the thing grew curiously real to her. She seemed to hear the gathering of the chariots, the neighing of the horses, the hurrying of many feet, the sound of an armouring multitude, the shouting, and the braying of the trumpets. They were passing the long sweep of Chester Terrace. “I like this neighbourhood with its early Victorian atmosphere,” she said. “It always makes me feel quiet and good. I don’t know why.”

He seemed relieved. “That’s what’s so wonderful about you,” he said. “I’ve met plenty of clever, brilliant women, but one could forget that they were women. You’re everything.” “What do you mean by the whole hog?” requested Joan, assuming dignity. Miss Tolley appeared to be getting muddled. “Whose boy?” she demanded.